Terrorism by Image
How come that movies such as Saw, Hostel and other Gore flicks are good entertainment, while a realization of true violence makes people sick. People attracted to real violence footage are considered as sick people by society in a comparable manner as pedophiles and snuffophiles.
I recently downloaded Faces of Death and Terrorists, Killers and Middle East Wacko's. I watched Faces of Death for about 10 minutes, scrolling through the footage and avoiding any real build-up of tension. Most of the footage on this movie is fake, says wikipedia, so it was doable. The Terrorist video however starts of with the violent removal of a victims legs by means of a saw. One skip through shows the execution of ten people by means of a gun and yet another skip features the stoning of a female victim.
So what do we do with images taboo as these? I have come to suspect that watching them is a personal choice of morality, buying them is the sick thing to do, spreading them, I don't know. First of all, this footage is real. It is not part of some commercial enterprise, it is serious death. Second of all, exposing inhumanity might be the best catalyst for actual humanism....or is it just sick and as the UK Censor who refused to distribute this shockumentary, obscene
So, any action done to spread violence through images, when real, is to be considered sick? And what about Freedom of Speech? Is Horror the final human taboo? If so, how hypocritical is it to wage war, torture and - make fiction movies on the same theme. If not, who cares and why the punishing society and internal sickness provoking organ?
I can not make up my mind, and I can not watch more of the downloaded footage...Quite a dilemma.



It was after the Gulf War that his mother and boyfriend at the time decided to 'descend' from the Holy land and set sail towards The Hague, being the birthplace of Even-Zohars
mother. Jonathan managed well in Grade school and High school, so the
next logical step was the University, the infinite source of knowledge.
After speculating on Industrial Design, Social Geography and Journalism
it was the study of History at Leiden that turned out to be his
decision.
Now, four years into the study, matters have only become more
complicated as this student advances towards World History; meaning the
complete array of fields a historian may implement in explaining the
entire past of the entire world to fellow men. It is especially the
philosophical character of World History that attracted Jonathan.
For him there is only one question that stands above all others like a
lonely chuchtower in some Flemish village, which asks the cause of the
Western Rise and the Industrial Revolution. Furthermore, the role of the
European self- and worldimage throughout its history may explain the
role of Europe in the Eurasian Human Web. Thus, the direct contact
between Islam and Christianity is to be investigated. Were Muslims
constantly on the verge of invading Europe? How did Arab people perceive
the 'barbaric' Christians? How was Science spread and how did the West
pick up knowledge form the Arabs or from further East? Europe and the
Islam are still not at peace, certainly not in the mind.
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